POSTS

狂人比較可怕？還是那些沉默的人？專訪《房間裡的大象》謝孟甫

當舞台上只剩下「玩樂」：專訪馬戲藝術家葉時廷

Unfolding a Mysterious Family Chronicle: Piecing Together Shards of Memory and Care in Katherine Hui-ling Chou’s "She Says, She Says"

一路走回祖先的「至美之地」：專訪《遊林驚夢：巧遇Hagay》主創團隊

Chaos as Choreography: Re:INCARNATION Recovering Precolonial African Rhythms — An Interview with Qudus Onikeku

A Storyteller in Theatre – Chiu An-chen and His Journey into the White Terror History

Refusal Destroys Us All—(LA)HORDE’s "Room With A View" Explores the Possibilities of Unity and Love

Not a Continuation, but the Creation of a New Cultural Context — An Interview with Choreographer Ola Maciejewska

李銘宸的創作超限動：最高級的AI，到底有多少可能？又有多少不可能？

鼎邊銼、跳蚤市場和尚未尋找到的答案——專訪卓家安 Ihot、田孝慈、林靖雁與他們的藝穗軌跡

跨海而來的戲夢人：臺北藝穗節的香港身影

＼藝穗游擊戰隊的劇場終極任務／訪談「高產能編劇」張育瀚＆「超級製作人」李昀芷