POSTS

喜歡上了劇本怎麼辦？《杏仁豆腐心》平行時空＆創作者的搬演狂熱考察

以身體承載未知的深淵，通向風的自由與存在的孤獨——專訪《我是風》演員林子恆

直到我們彼此看見：那些藝穗節中的 BL＆GL 創作者——專訪「暖潮工作室」品嘉 ×「即使世界末日還是想吃枝仔冰」梅林

Whaling, and Humans Reincarnated as Whales — Ocean Cage Pays Homage to Tradition Through a Contemporary Vocabulary (Part2)

原來平凡，本身就值得被觀看 ──劇場與生活之間，那些重新理解自己的時刻

Whaling, and Humans Reincarnated as Whales — Ocean Cage Pays Homage to Tradition Through a Contemporary Vocabulary (Part1)

狂人比較可怕？還是那些沉默的人？專訪《房間裡的大象》謝孟甫

當舞台上只剩下「玩樂」：專訪馬戲藝術家葉時廷

Unfolding a Mysterious Family Chronicle: Piecing Together Shards of Memory and Care in Katherine Hui-ling Chou’s "She Says, She Says"

一路走回祖先的「至美之地」：專訪《遊林驚夢：巧遇Hagay》主創團隊

Chaos as Choreography: Re:INCARNATION Recovering Precolonial African Rhythms — An Interview with Qudus Onikeku

A Storyteller in Theatre – Chiu An-chen and His Journey into the White Terror History