Opening hours
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POSTS
在《海籠》的深海廢墟：看骨架、肉身與靈魂崩塌再重組
Insights
在《海籠》的深海廢墟：看骨架、肉身與靈魂崩塌再重組
狂人比較可怕？還是那些沉默的人？專訪《房間裡的大象》謝孟甫
Interview
狂人比較可怕？還是那些沉默的人？專訪《房間裡的大象》謝孟甫
當舞台上只剩下「玩樂」：專訪馬戲藝術家葉時廷
Interview
當舞台上只剩下「玩樂」：專訪馬戲藝術家葉時廷
She Says, She Says: As time loosens, memories begin to sprout again
Insights
She Says, She Says: As time loosens, memories begin to sprout again
Unfolding a Mysterious Family Chronicle: Piecing Together Shards of Memory and Care in Katherine Hui-ling Chou’s "She Says, She Says"
Interview
Unfolding a Mysterious Family Chronicle: Piecing Together Shards of Memory and Care in Katherine Hui-ling Chou’s "She Says, She Says"
“驫” (Biao): Horses Galloping in a Herd
Troupe
“驫” (Biao): Horses Galloping in a Herd
Portrait of Wajdi Mouawad
Introduce Artists
Portrait of Wajdi Mouawad
Seasoning with Words, Simmering History for Reflection: Sensibility and Inquiry in Katherine Hui-ling Chou’s Dramatic Works
Introduce Artists
Seasoning with Words, Simmering History for Reflection: Sensibility and Inquiry in Katherine Hui-ling Chou’s Dramatic Works
Ocean Cage: A Journey through Infinity in Time and Space
Insights
Ocean Cage: A Journey through Infinity in Time and Space
She Says, She Says: On Separate Roads
Program
She Says, She Says: On Separate Roads
TPAC Academy 2026 Spring Dramaturgy and Theater Creation Courses: Moving Forward to Welcome a Better Theater World
Recap
TPAC Academy 2026 Spring Dramaturgy and Theater Creation Courses: Moving Forward to Welcome a Better Theater World
