POSTS

The Liar and the Caged – Searching for a Way out: From A Streetcar Named Desire to Hedda Gabler

More Than Partners: Theatre Encounters Between Taiwan and Japan

Chaos as Choreography: Re:INCARNATION Recovering Precolonial African Rhythms — An Interview with Qudus Onikeku

Invisible Power: African Body Culture Reshapes Contemporary Dance

Queer Tetralogy: Desire, Technology, and Rebellion: Inside the Visual World of Shu Lea Cheang｜Lecture Notes

Taipei Theatre Award Winners Lecture Series｜A-14-Year Dialogue: Companionship and Collaboration on Stage and in Life｜Lecture Notes

2026 THEATRE TECH EXPO Between Light and Shadow: A Dialogue Between Humans and Technology

Taipei Theatre Award Winners Lecture Series｜The Parallel Universe of Malaysian Chinese Theater｜Lecture Notes

Technology as the Embodiment of Gaya – Reflection on Futurism in HAGAY DREAMING

所有的故事都可以交換：我看《暗夜．腹語．鬼托邦》

2025 Autumn Dramaturgy and Theater Creation Courses: Moments Other than “When Angels Descend on the Stage”

《恍恍》導演加藤拓也：與「四把椅子」跨國共製，解開詛咒的根源