Life is a game.
No win or loss can define us.
Whatever life throws, let’s get the game on!
Attending a contest is not strange experience to everyone, especially to dancers. We would be categorized, selected, sent home or stayed in it. By that, we get to know the others and ourselves more. Fair or not, of course, is another discussion though.
The competition with others will end eventually, the one with yourself is not. Whichever kind life brings, game on!
TAIWAN｜ Liu I-Ling
Liu I-Ling, a contemporary dance artist from Taiwan and received a BFA from Taipei National University of the Arts, was a former member of Bill T. Jones/Arnie Zane Company (USA) for 11 years. LIU has been creating her choreographies which focus on reminiscence, trauma, social observation and re-definition of body “technique”. In 2022, her duet work “... and, or...” won the Jury Prize of the Yokohama Dance Collection Competition(Japan). In 2021 she was commissioned by Chen Wu-Kang to perform the solo “14” in part with the da:ns festival(Esplanade Singapore). Same year, she received the support of the Cloud Gate Art Makers Project in 2021 and again premiered the solo work “Normal Life” in da:ns festival 2022. In 2017 her solo work “GENG” was nominated for the Taishin Arts Award(Taiwan). Liu has also been collaborating with visual artists, photographers, composers, directors and actors in theater and film. Since 2020 she has participated in Lee Ming-Wei ’s work “Our Labyrinth” and performed in the Metropolitan Museum and the Tate Modern. Since 2019 she has been collaborating with the Taiwanese filmmaker Su Hui-Yu as the Choreographer / Performer / Movement Director in several productions such as “The White Waters” which has been toured internationally. In 2022 she performed Still (life) in Taipei by Xavier Le Roy & Scarlet Yu. In 2022 she participated in the Australian choreographer Stephanie Lake’s work “Colossus” Taiwan version as the rehearsal director. She is currently a Part Time Assistant Professor at the Taipei National University of the Arts.
Choreographer: Liu, I-Ling
Performer: Lin Jyun-Yi, Ye Jie-Ru, Wu Jia-Hui, Hong Wei-Ting, Tsai Shu-Yu
Costume Design: Yang Yu-De
Light Design: Guo Jian-Hao
Stage Manager: Tseng Pai-Yu
Producer: Mina Wang, Hsu-Ping
Presenter: Taipei Performing Arts Center
In Partnership with CN D
Supported by CHANEL
Ticket Benefits
Know more about TPAC member: https://lihi2.cc/VXTPV
2023.9.15(Fri.)12:00──9.22(Fri.)12:00 Member pre-sale
- TPAC member──Addict Player: 25% off
- TPAC member──Trooper Player: Single ticket 15% off, 4 or more tickets 20% off, 10 or more tickets 25% off
2023.9.22 (Fri.) 12:00 Official launch of sales Member Offers
- TPAC Member - Addict Player: 15% off
- TPAC Member - Trooper Player: Single ticket 15% off, 4 or more tickets 25% off, 10 or more tickets 30% off
- TPAC Member -Rookie Player: 10% off
Register for free on the TPAC official website to enjoy ticket purchasing discounts
【Campers Early Bird Special】
Register or log in on the Taipei Performing Arts Center official website, go to "Member Area ➠ Coupons," enter the discount code "CAMPERS" to redeem two 15% off coupons for camping asia programs and one 15% off membership fee coupon. After redemption, you can directly proceed to seat selection and ticket purchase on "OPENTIX" or purchase a paid membership plan on the TPAC website.
Redemption period: From 9/22 to 10/22.
【Cross-industry Benefits】
* Eslite Members: 8% off ticket purchase.
* Cardholders of Taishin Bank, Cathay United Bank, E. Sun Bank, and Taipei Fubon Bank: 8% off ticket purchase.
【Group Ticket Discounts】
* 20 or more tickets in a single order: 20% off.
* 50 or more tickets in a single order: 25% off.
* 100 or more tickets in a single order: 30% off.
【Other Discounts】
* Disabled individuals and their necessary companions (limited to 1 person) enjoy 50% off (please present disability certificate at entry).
* Senior citizens aged 65 and above enjoy 50% off (please present valid identification at entry).
※ The organizer reserves the right to change the program and interpret the discounts.
