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打造一則殘酷預言的方法:許哲彬談《太陽》的誕生

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在《太陽》照常升起之前:在劇場裡想像一種解除對立的鬆弛

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2026北藝學院|人物筆記:作為詛咒與救贖的時間與身體:王墨林與貝克特

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2026 TAF: Wajdi Mouawad "Seuls"

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喜歡上了劇本怎麼辦?《杏仁豆腐心》平行時空&創作者的搬演狂熱考察

Interview
瓦吉.穆阿瓦《孤身》:流亡的本質,是時間

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瓦吉.穆阿瓦:在烈火焚身後,於向陽處刻下我的名字

Introduce Artists
瓦吉.穆阿瓦「血誓四部曲」:《海之邊》的葬送——直到憂鬱與幽靈變成空白的布幕

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瓦吉.穆阿瓦「血誓四部曲」《烈火焚身》:電影的刺青,劇場的紅鼻子,尊嚴是一副鬼臉

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創傷、安魂與回家:瓦吉.穆阿瓦其人其作

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Reading Guide to Shih-Wei Wang's I Am the Wind Jon Fosse's I Am the Wind: Hearing Ourselves in Silence

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A Comparative Reading of Shih-Wei Wang’s I Am the Wind: Jon Fosse’s I Am the Wind and A Shining — Exploring the Oceans of the Inner World

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